Libros a Descargar Gratis

America's Film Legacy

Autor: Daniel Eagan

Número de Páginas: 847

America's Film Legacy is a guide to the most significant films ever made in the United States. Unlike opinionated "Top 100" and arbitrary "Best of" lists, these are the real thing: groundbreaking films that make up the backbone of American cinema. Some are well-known, such as Citizen Kane, The Jazz Singer, All Quiet on the Western Front, The Birth of a Nation, and Boyz n the Hood. Others are more obscure, such as Blacksmith Scene, The Blue Bird, The Docks of New York, Star Theatre, and A Bronx Morning. Daniel Eagan's beautifully written and authoritative book is for anyone who loves American movies and who wants to learn more about them.

From Street to Screen

Autor: Michael T. Martin , David C. Wall

Número de Páginas: 260

Charles Burnett's 1977 film, Killer of Sheep is one of the towering classics of African American cinema. As a deliberate counterpoint to popular blaxploitation films of the period, it combines harsh images of the banality of everyday oppression with scenes of lyrical beauty, and depictions of stark realism with flights of comic fancy. From Street to Screen: Charles Burnett's Killer of Sheep is the first book-length collection dedicated to the film and designed to introduce viewers to this still relatively unknown masterpiece. Beginning life as Burnett's master's thesis project in 1973, and shot on a budget of $10,000, Killer of Sheep immediately became a cornerstone of the burgeoning movement in African American film that came to be known variously as the LA School or LA Rebellion. By bringing together a wide variety of material, this volume covers both the politics and aesthetics of the film as well as its deeper social and contextual histories. This expansive and incisive critical companion will serve equally as the perfect starting point and standard reference for all viewers, whether they are already familiar with the film or coming to it for the first time.

Black Lenses, Black Voices

Autor: Mark A. Reid

Número de Páginas: 145

Black Lenses, Black Voices is a provocative look at films directed and written-and sometimes produced-by African Americans, as well as black-oriented films whose directors or screenwriters are not black. Mark Reid shows how certain films dramatize the contemporary African American community as a politically and economically diverse group, vastly different from film representations of the 1960s. Taking us through the development of African American independent filmmaking before and after World War II, he then illustrates the unique nature of African American family, action, horror, female-centered, and independent films, such as Eve's Bayou, Jungle Fever, Shaft, Souls of Sin, Bones, Waiting to Exhale, Monster's Ball, Sankofa, and many more.

Black American Cinema

Autor: Manthia Diawara

Número de Páginas: 338

This is the first major collection of criticism on Black American cinema. From the pioneering work of Oscar Micheaux and Wallace Thurman to the Hollywood success of Spike Lee, Black American filmmakers have played a remarkable role in the development of the American film, both independent and mainstream. In this volume, the work of early Black filmmakers is given serious attention for the first time. Individual essays consider what a Black film tradition might be, the relation between Black American filmmakers and filmmakers from the diaspora, the nature of Black film aesthetics, the artist's place within the community, and the representation of a Black imaginary. Black AmericanCinema also uncovers the construction of Black sexuality on screen, the role of Black women in independent cinema, and the specific question of Black female spectatorship. A lively and provocative group of essays debate the place and significance of Spike Lee Of crucial importance are the ways in which the essays analyze those Black directors who worked for Hollywood and whose films are simplistically dismissed as sell-outs, to the Hollywood "master narrative," as well as those "crossover" filmmakers whose...

The Witch's Flight

Autor: Kara Keeling

Número de Páginas: 228

Through an analysis of filmic representations of Black femininity, and the Black Femme in particular, this book highlights the ways "the cinematic" structures both racist and sexist portrayals, and their potential undoing.

Power Misses II

Autor: David E. James

Número de Páginas: 292

Like David James' earlier collection of essays, Power Misses: Essays Across (Un)Popular Culture (1996), the present volume, Power Misses II: Cinema, Asian and Modern is concerned with popular cultural activity that propose alternatives and opposition to capitalist media. Now with a wider frame of reference, it moves globally from west to east, beginning with films made during the Korean Democracy Movement, and then turning to socialist realism in China and Taiwan, and to Asian American film and poetry in Los Angeles. Several other avant-garde film movements in L.A. created communities resistant to the culture industries centered there, as did elements in the classic New York avant-garde, here instanced in the work of Ken Jacobs and Andy Warhol. The final chapter concerns little-known films about communal agriculture in the Nottinghamshire village of Laxton, the only one where the medieval open-field system never suffered enclosure. This survival of the commons anticipated resistance to the extreme and catastrophic forms of privatization, monetization, and theft of the public commonweal in the advanced form of capitalism we know as neoliberalism.

American Film History

Autor: Cynthia Lucia , Roy Grundmann , Art Simon

Número de Páginas: 514

From the American underground film to the blockbuster superhero, this authoritative collection of introductory and specialized readings explores the core issues and developments in American cinematic history during the second half of the twentieth-century through the present day. Considers essential subjects that have shaped the American film industry—from the impact of television and CGI to the rise of independent and underground film; from the impact of the civil rights, feminist and LGBT movements to that of 9/11. Features a student-friendly structure dividing coverage into the periods 1960-1975, 1976-1990, and 1991 to the present day, each of which opens with an historical overview Brings together a rich and varied selection of contributions by established film scholars, combining broad historical, social, and political contexts with detailed analysis of individual films, including Midnight Cowboy, Nashville, Cat Ballou, Chicago, Back to the Future, Killer of Sheep, Daughters of the Dust, Nothing But a Man, Ali, Easy Rider, The Conversation, The Texas Chain Saw Massacre, Longtime Companion, The Matrix, The War Tapes, the Batman films, and selected avant-garde and documentary ...

Beyond Blaxploitation

Autor: Novotny Lawrence , Gerald R. Butters

Número de Páginas: 266

Beyond Blaxploitation is a much-needed pedagogical tool, informing film scholars, critics, and fans alike, about blaxploitation's richness and complexity.

The Dark Tree

Autor: Steven L. Isoardi

Número de Páginas: 275

In the early 1960s, pianist Horace Tapscott gave up a successful career in Lionel Hampton’s band and returned to his home in Los Angeles to found the Pan Afrikan Peoples Arkestra, a community arts group that focused on providing community-oriented jazz and jazz training. Over the course of almost forty years, the Arkestra, together with the related Union of God’s Musicians and Artists Ascension collective, was at the forefront of the vital community-based arts movement in Black Los Angeles. Some three hundred artists—musicians, vocalists, poets, playwrights, painters, sculptors, and graphic artists—passed through these organizations, many ultimately remaining within the community and others moving on to achieve international fame. In The Dark Tree, Steven L. Isoardi draws on one hundred in-depth interviews with the Arkestra’s participants to tell the history of the important and largely overlooked community arts movement of Black Los Angeles. This revised and updated edition brings the story of the Arkestra up to date, as its ethos and aesthetic remain vital forces in jazz and popular music to this day.

Acting Indie

Autor: Cynthia Baron , Yannis Tzioumakis

Número de Páginas: 347

This book illustrates the many ways that actors contribute to American independent cinema. Analyzing industrial developments, it examines the impact of actors as writers, directors, and producers, and as stars able to attract investment and bring visibility to small-scale productions. Exploring cultural-aesthetic factors, the book identifies the various traditions that shape narrative designs, casting choices, and performance styles. The book offers a genealogy of industrial and aesthetic practices that connects independent filmmaking in the studio era and the 1960s and 1970s to American independent cinema in its independent, indie, indiewood, and late-indiewood forms. Chapters on actors’ involvement in the evolution of American independent cinema as a sector alternate with chapters that show how traditions such as naturalism, modernism, postmodernism, and Third Cinema influence films and performances.

1968 and Global Cinema

Autor: Christina Gerhardt , Sara Saljoughi

Número de Páginas: 374

The volume is ideal for graduate and undergraduate courses on the long sixties, political cinema, 1968, and new waves in art history, cultural studies, and film and media studies.

Deep Sightings & Rescue Missions

Autor: Toni Cade Bambara

Número de Páginas: 272

Edited and with a Preface by Toni Morrison, this posthumous collection of short stories, essays, and interviews offers lasting evidence of Bambara's passion, lyricism, and tough critical intelligence. Included are tales of mothers and daughters, rebels and seeresses, community activists and aging gangbangers, as well as essays on film and literature, politics and race, and on the difficulties and necessities of forging an identity as an artist, activist, and black woman. It is a treasure trove not only for those familiar with Bambara's work, but for a new generation of readers who will recognize her contribution to contemporary American letters.

Contemporary American Independent Film

Autor: Chris Holmlund , Justin Wyatt

Número de Páginas: 322

This anthology addresses the salient aesthetic, ideological and economic determinants of independent American cinema over the past three decades.

Gender, Ethnicity, and Sexuality in Contemporary American Film

Autor: Jude Davies , Carol R. Smith

Número de Páginas: 160

Hollywood has devoted big budgets and established stars to films about controversial issues in the last ten years. Identities considered marginal have come into prominence on the big screen. The authors of this title look at the issues raised by these developments, bring together debates in identity politics with film studies, and launch an innovative theorization of the cinematic representation of identity. Movies from ForrestGump to Philadelphia, from Malcolm X to Falling Down have been specifically concerned with multiculturalism and identity politics. This book is concerned with the meanings put into circulation by these mainstream films and audiences' reactions to them. It provides an accessible introduction to issues such as arguments over positive and negative images and the relationship between cultural representation and political power in American life.

Charles Burnett

Autor: James Naremore

Número de Páginas: 264

In the first book devoted to Charles Burnett, a crucial figure in the history of American cinema often regarded as the most influential member of the L.A. Rebellion group of African American filmmakers, James Naremore provides a close critical study of all Burnett’s major pictures for movies and television, including Killer of Sheep, To Sleep with Anger, The Glass Shield, Nightjohn, The Wedding, Nat Turner: A Troublesome Property, and Warming by the Devil’s Fire. Having accessed new information and rarely seen material, Naremore shows that Burnett’s career has developed against the odds and that his artistry, social criticism, humor, and commitment to what he calls “symbolic knowledge” have given his work enduring value for American culture.

Fifty Years of "The Battle of Algiers"

Autor: Sohail Daulatzai

Número de Páginas: 111

The Battle of Algiers, a 1966 film that poetically captures Algerian resistance to French colonial occupation, is widely considered one of the greatest political films of all time. With an artistic defiance that matched the boldness of the anticolonial struggles of the time, it was embraced across the political spectrum—from leftist groups like the Black Panther Party and the Palestine Liberation Organization to right-wing juntas in the 1970s and later, the Pentagon in 2003. With a philosophical nod to Frantz Fanon, Sohail Daulatzai demonstrates that tracing the film’s afterlife reveals a larger story about how dreams of freedom were shared and crushed in the fifty years since its release. As the War on Terror expands and the “threat” of the Muslim looms, The Battle of Algiers is more than an artifact of the past—it’s a prophetic testament to the present and a cautionary tale of an imperial future, as perpetual war has been declared on permanent unrest. Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, ...

The Most Typical Avant-Garde

Autor: David E. James

Número de Páginas: 564

Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films. This panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true centre of avant-garde cinema in the US.

Shared Differences

Autor: Diane Carson , Lester D. Friedman

Número de Páginas: 348

This timely volume addresses those who teach and study multicultural topics. Rather than offering a Band-Aid approach to curricular offerings, the contributors demonstrate inclusive, innovative ways to integrate multicultural issues and media into existing courses. In "Struggling for America's Soul: A Search for Some Common Ground in the Multicultural Debate," Lester Friedman leads off the volume with an analysis of the value and necessity of multicultural approaches for today's students and for society at large. The essays that follow provide a wealth of material for organizing courses, including week-by-week syllabi detailing specific writing assignments, bibliographical information on readings, and sources for films and videos. The contributors, who teach at institutions ranging from community colleges through major research universities, describe their experiences teaching students of various ages, backgrounds, and interests. Shared Differences will be of value to all who use media as a tool in their teaching, whether in history, literature, or the social sciences, as well as to those who teach film and video production.

Historia mundial del cine I. II

Autor: Gian Piero Brunetta

Número de Páginas: 944

«En su conjunto, el cine estadounidense parece un territorio idóneo en el que aplicar, con óptimos resultados, las lecciones de los historiadores de los “Annales”, donde la historia breve y la de larga duración, la superficial y la profunda, la de los hechos y la de la mentalidad, la del imaginario y la económica, pueden coexistir, sostenerse, iluminarse e incorporarse unas a otras. Los conjuntos a los que he procurado dar más valor y en torno a los que he hecho trabajar a mis colaboradores han sido los siguientes: los géneros, fundamento y estructura portante del cine estadounidense; los ritos y divos y el papel de Hollywood como fábrica de sueños; la leyenda como patrimonio y fuente de inspiración constante; la contribución fundacional de las minorías étnicas y de las múltiples raíces culturales a la construcción de una identidad sujeta a diversas transformaciones; el papel del paisaje; la interferencia de la política y las formas de presión y de control ideológico y cultural, y, por último, [...] el desarrollo de la economía, el mercado y las transformaciones de los modos de consumo desde los nickelodeones hasta la llegada de la era televisiva y los...

CAAS Newsletter

Número de Páginas: 308

Dictionnaire du Cinéma américain

Autor: Encyclopaedia Universalis

Número de Páginas: 1518

Le cinéma est américain par excellence.En 350 articles empruntés à l’Encyclopædia Universalis, ce dictionnaire en explore les richesses. De Bud ABBOTT à Fred ZINNEMANN, les réalisateurs ont la part belle dans notre sélection.Les producteurs, scénaristes et compositeurs, les studios et bien sûr les comédiennes et comédiens qui incarnent si brillamment l’histoire de Hollywood complètent la distribution.Sous la conduite des meilleurs guides (Marc Cerisuelo, André-Charles Cohen, Alain Garel, Joël Magny...), le Dictionnaire Universalis du cinéma américain est le compagnon idéal de tous les cinéphiles, confirmés ou débutants.

Charles Burnett

Autor: Robert E. Kapsis

Número de Páginas: 252

Charles Burnett (b. 1944) is a groundbreaking African American filmmaker and one of this country’s finest directors, yet he remains largely unknown. His films, most notably Killer of Sheep (1977) and To Sleep with Anger (1990), are considered classics, yet few filmgoers have seen them or heard of Burnett. The interviews in this volume explore this paradox and collectively shed light on the work of a rare film master whose stories bring to the screen the texture and poetry of life in the black community. The best qualities of Burnett’s films-rich characterizations, morally and emotionally complex narratives, and intricately observed tales of African American life-are precisely the things that make his films a tough sell in the mass marketplace. As many of the interviews reveal, Hollywood has been largely inept in responding to this marketing challenge. “It takes an extraordinary effort to keep going,” Burnett told Terrence Rafferty in 2001, “when everybody’s saying to you, ‘No one wants to see that kind of movie,’ or ‘There’s no black audience.’” All the interviews selected for this volume—spanning more than three decades of Burnett’s directorial career, ...

Rock 'n' Film

Autor: David E. James

Número de Páginas: 489

Rock 'N' Film presents a cultural history of films about US and British rock music during the period when biracial popular music was fundamental to progressive social movements on both sides of the Atlantic.

The Routledge Encyclopedia of Films

Autor: Sabine Haenni , Sarah Barrow , John White

Número de Páginas: 688

The Routledge Encyclopedia of Films comprises 200 essays by leading film scholars analysing the most important, influential, innovative and interesting films of all time. Arranged alphabetically, each entry explores why each film is significant for those who study film and explores the social, historical and political contexts in which the film was produced. Ranging from Hollywood classics to international bestsellers to lesser-known representations of national cinema, this collection is deliberately broad in scope crossing decades, boundaries and genres. The encyclopedia thus provides an introduction to the historical range and scope of cinema produced throughout the world.

Free Jazz

Autor: Jeff Schwartz

Número de Páginas: 465

Free Jazz: A Research and Information Guide offers carefully selected and annotated sources on free jazz, with comprehensive coverage of English-language academic books, journal articles, and dissertations, and selective coverage of trade books, popular periodicals, documentary films, scores, Masters’ theses, online texts, and materials in other languages. Free Jazz will be a major reference tool for students, faculty, librarians, artists, scholars, critics, and serious fans navigating this literature.

Fifty Key American Films

Autor: John White , Sabine Haenni

Número de Páginas: 281

Fifty Key American Films provides a chance to look at fifty of the best American films ever made with case studies from the 1930's hey day of Cinema right up to the present day.

Toward a More Perfect Rebellion

Autor: Josslyn Jeanine Luckett

Número de Páginas: 241

Toward a More Perfect Rebellion tells the riveting story of the socially engaged filmmakers of color who studied in the Ethno-Communications Program at the University of California, Los Angeles, between 1969 and 1973. While the program is best known for training the trailblazing group of Black directors known as the L.A. Rebellion, this book also includes the radical Asian American, Chicana/o, and Native American filmmakers who collaborated alongside their Black classmates to create one of the most expansive and groundbreaking bodies of work of any US university cohort. Through extensive interviews with the filmmakers and cross-racial analysis of their collective filmography, Josslyn Jeanine Luckett sheds light on a largely untold history of media activists working outside Hollywood yet firmly rooted in Los Angeles, aiming their cameras with urgency and tenderness to capture their communities' stories of power, struggle, and improvisational brilliance.

For All the World to See

Autor: Maurice Berger

Número de Páginas: 224

"In collaboration with: Center for Art, Design and Visual Culture, University of Maryland Baltimore County, National Museum of African American History and Culture, Smithsonian Institution, Washington, D.C."

Redefining Black Film

Autor: Mark A. Reid

Número de Páginas: 182

This assessment of black film history distinguishes between American films that are controlled by Blacks and those which utilize black talent, but are controlled by Whites. The study ranges from the earliest black involvement in Hollywood to present feminist influences in black productions.

Rebel Musics, Volume 2

Autor: Fischlin Daniel Fischlin

Número de Páginas: 290

When it was first published in 2003, Rebel Musics sought to explore how musical activism resonates as resistance to the dominant culture, and how political action through music increases the potential for people to determine their own fate. If anything, these issues seem to be even more pressing today. Rebel Musics offers a fascinating journey into a rich, complex world where music and politics unite, and where rebel musicians are mobilizing for political change, resistance, and social justice. Daniel Fischlin and Ajay Heble cover a wide range of artists, genres, and topics, including Thomas Mapfumo, Bob Marley, William Parker, Frank Zappa, Edgard Varese, Ice-T, American blues, West African drumming, hip hop, gospel, rock'n'roll cabaret, Paul Robeson, and free jazz. This book shows how rebel music is at the heart of some of the most incisive critiques of global politics. With explosive lyrics and driving rhythms, rebel musicians are helping to mobilize movements for political change and social justice, at home and around the world. In celebration of the 50th anniversary of Black Rose Books, this revised and expanded edition of Rebel Musics will include all the original essays, as...

A Companion to African-American Philosophy

Autor: Tommy L. Lott , John P. Pittman

Número de Páginas: 488

This wide-ranging, multidisciplinary collection of newly commissioned articles brings together distinguished voices in the field of Africana philosophy and African-American social and political thought. Provides a comprehensive critical survey of African-American philosophical thought. Collects wide-ranging, multidisciplinary, newly commissioned articles in one authoritative volume. Serves as a benchmark work of reference for courses in philosophy, social and political thought, cultural studies, and African-American studies.

Documenting the Black Experience

Autor: Novotny Lawrence

Número de Páginas: 281

History taught at the elementary, middle, high school and even college levels often excludes significant events from African American history, such as the murder of Emmett Till or the murder of four black girls by the Ku Klux Klan in the Sixteenth Street Baptist Church bombing in Birmingham. Such events are integral parts of history that continue to inform America's racial politics. Their exclusion is a problem that this work addresses by bringing more visibility to documentary films focusing on the events. Books treating the history of documentary films follow a similar pattern, omitting the efforts of filmmakers who have continued to focus on African American history. This book works to make documentary discourse more complete, bringing attention to films that cover the African American experience in four areas--civil rights, sports, electronic media, and the contemporary black struggle--demonstrating how the issues continue to inform America's racial politics.

La Revue du cinéma

Número de Páginas: 588

La Revue du cinéma, image et son, écran

Número de Páginas: 604

New York Magazine

Número de Páginas: 108

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Historical Dictionary of African American Cinema

Autor: S. Torriano Berry , Venise T. Berry

Número de Páginas: 458

On 4 July, 1910, in 100-degree heat at an outdoor boxing ring near Reno, Nevada, film cameras recorded-and thousands of fans witnessed-former heavyweight champion Jim Jeffries' reluctant return from retirement to fight Jack Johnson, a black man. After 14 grueling rounds, Johnson knocked out Jeffries and for the first time in history, there was a black heavyweight champion of the world. At least 10 people lost their lives because of Johnson's victory and hundreds more were injured due to white retaliation and wild celebrations in the streets. Public screenings received instantaneous protests and hundreds of cities barred the film from being shown. Congress even passed a law making it a federal offense to transport moving pictures of prizefights across state lines, and thus the most powerful portrayal of a black man ever recorded on film was made virtually invisible. This is but one of the hundreds of films covered in the Historical Dictionary of African American Cinema, which includes everything from The Birth of a Nation to Crash. In addition to the films, brief biographies of African American actors and actresses such as Sidney Poitier, James Earl Jones, Halle Berry, Eddie...

Warning Shadows

Autor: Gary Giddins

Número de Páginas: 416

A brilliantly insightful and witty examination of beloved and little-known films, directors, and stars by one of America’s most esteemed critics. In his illuminating new work, Gary Giddins explores the evolution of film, from the first moving pictures and peepshows to the digital era of DVDs and online video-streaming. New technologies have changed our experience of cinema forever; we have peeled away from the crowded theater to be home alone with classic cinema. Recounting the technological developments that films have undergone, Warning Shadows travels through time and across genres to explore the impact of the industry’s most famous classics and forgotten gems. Essays such as “Houdini Escapes! From the Vaults! Of the Past!,” “Edward G. Robinson, See,” and “Prestige and Pretension (Pride and Prejudice)” capture the wit and magic of classic cinema. Each chapter—ranging from the horror films of Hitchcock to the fantastical frames of Disney—provides readers with engaging analyses of influential films and the directors and actors who made them possible.

New York Magazine

Número de Páginas: 108

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Policing the State, Second Edition

Autor: Louis A. Ruprecht Jr.

Número de Páginas: 148

The manner in which Kathryn Johnston died so tragically at the hands of Atlanta narcotics police on the evening of November 21, 2006, anticipates and informs a number of very contemporary--and extremely volatile--issues that have become closely associated with the name of Ferguson, Missouri. As the "Black Lives Matter" movement makes clear, the issues center primarily around the relationship between racial identity and lethal police violence in the United States today. In this Second Edition of Policing the State, Louis A. Ruprecht Jr. attempts to situate both "Ferguson" and "Black Lives Matter" within a relatively narrow historical frame of the two years since Policing the State was first published, as well as a longer history of the emergence of a more violent policing regime and an ever-more intensely carceral society that came on the scene quite suddenly in the United States in the mid-to-late 1980s.